I rewrote the reaction part of the blog posts for the week of the conference so that each event gets 200 words to itself that make sense to an outside reader. I still have 200 words for each person in my group and a 10-page paper, but I feel accomplished.
I also hit the point where I need to really flesh out the backstories of my minor characters so I can write decent conversation, so I've been taking a break from adding words to the novel to do that. I'll probably post some of those--if nothing else, they'll make decent quick links for the sidebar box for new readers.
Finally, I wrote the jacket copy, the summary that goes on the inside cover or the back of a book. People were talking about how hard most writers find the jacket copy, because they're so close to the book they can't figure out what's important anymore. I said, really? I always write the jacket copy first. It's often how I start an idea, before I actually write. It tells me what my book is about. Then I realized I haven't done that in a long time, and I didn't do it for this novel. I thought I'd better do it before I got so married to the novel I couldn't write it anymore. And they're right, or I'm out of practice--it was difficult, but I still think it's catchy. It uses female pronouns because spoilers.
Leandra and her best
friend since forever, Jimena, are determined that Leandra’s going to college is
not going to cause their friendship to fade. After all, Leandra’s going to be a
Spanish major, and their mutual fluency in the language is one of the things
that keeps them together. But when Leandra gets there, she meets students who
identify as transgender—and quickly
figures out that there are words for her growing hatred of everything female
about her from her body to feminine words in both languages, including Jimena’s
pet name querida. This discovery of a
new subculture that she may, by no choice of her own, be part of, unseats
Leandra, and her struggle to regain her understanding of who she is may cost
her the Spanish language—and Jimena.
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